Ahmedabad
The one city where the catalogue is made: design, embroidery, finishing and export documentation under one roo…
For the city that dresses its weddings in gold: bridal-grade zardozi suit sets made in-house, replenished on a 10-day calendar when the season sells through — entry at 24 pieces per line.
Hyderabad dresses its occasions in gold — a bridal and pearl city whose counters have carried rich handwork for generations. The demand is not seasonal so much as layered: wedding bookings year-round, reception and festive trade stacked behind them, and a customer who treats zardozi as the price of entry, not an upgrade.
The constraint for a Hyderabad retailer is usually supply, not demand: bridal-grade goldwork traditionally waits on artisan queues, and a counter that sells through mid-season often cannot restock the same design before the season closes. That is the specific gap an atelier house closes — 180+ karigars in Ahmedabad, ~12,000 pieces a month, and zardozi, cutwork and scallop finishing run as production lines, not bespoke commissions.
The practical result is a wedding counter that behaves like a replenishment business: sell through a gold-worked line on the first weekend of the season, and the same design — same shade bank, same placement grading — is back on the shelf within the 10-day production window.
Every lot is made to order and carries a date-committed 10-day production calendar from confirmation and advance receipt — the number that matters when a wedding-season design sells through early. Graded placements keep the embroidery identical across every size in the run, so a restocked lot matches the lot that sold.
Trade terms are the same as everywhere in the catalogue: start at 24 pieces per line (3 colours × 2 size-sets, L–3XL), ₹550–₹1,200 per piece wholesale, and made-to-order lots deliver in 10 days flat from confirmation and advance receipt — every line, no exceptions.
The headline line for this market is the zardozi suit set: dense gold-metal threadwork on necklines, yokes and cuffs, on structured grounds that carry the weight — the bridal-grade end of our 3-piece suit-set family. Around it, pearl-and-bead yokes and gold-embroidered kurtas cover the reception and festive tiers at friendlier price points.
Every design ships in its own bank of three to four colourways with lab-dip approvals on request, and graded placements keep the embroidery identical from L to 3XL. For counters that run their own name, the same lines go out under private label — your labels, tags and barcode-ready packing.
The standing start is a trial lot — one design at 24 pieces across 3 colours × 2 size-sets — with prototypes sampled against your size chart before any bulk commitment. Proven designs scale into 120-piece production lots per design per colour, the ladder our wedding-season buyers use to restock a winner before the season turns.
Plain answers — the full trade FAQ is on the FAQ page.
Yes — that is what the 10-day flat production calendar is for. Sell through a gold-worked line mid-season and the same design, matched to your original shade bank, runs again on a written, date-committed schedule. 120-piece production lots per design per colour keep the restock worth the freight.
Yes — 180+ in-house karigars at the Ahmedabad atelier, with embroidery, finishing and four-stage QC under one roof. Zardozi, cutwork, scallop trims, mirror work and bead-and-pearl embroidery all run as production lines, which is why they can be quoted on a calendar.
24 pieces per line — 3 colours × 2 size-sets, L through 3XL — quoted in writing before any payment, with sampling against your size chart as the standard first step.
One atelier in Ahmedabad, one set of trade terms, city-by-city landing pages — every grid on every page is live from the catalogue.
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